There is no doubt that “Teri Soorat / Main Sharaabi” is Aziz Mian’s signature piece and one of the masterpieces of qawwali. It centers around two works: the Urdu ghazal “Teri Soorat Nigaahon Men” by Tabhish Kanpuri which transitions into the takraar (refrain/chorus) “Main Sharaabi” which was penned by Aziz Mian himself.
Category: Qawwali
Ehl-e Dair-o Haram: Life Remains Incomplete
“Ehl-e Dair-o Haram” is a melancholic ghazal written by Fana Nizami Kanpuri (1922-1988) that has been performed by several notable artists, though the poem is relatively underrated.
Ya Husain: The Tragedy of Karbala
Purnam Allahabadi (1948-1997), a notable Pakistani poet, penned a salaam in honor of the sacrifice of Husayn that opens with the line “Salaami Karbala Men Kya”. This poem was sung beautifully by Ustad Nusrat Fateh Ali Khan (1948-1997) as a qawwali titled “Ya Husain”.
Taajdaar-e Haram: Praying for Grace
“Taajdaar-e Haram” is a devotional qawwali famously performed by the late Sabri Brothers, Ghulam Farid Sabri (1930-1994) and Maqbool Ahmed Sabri (1945-2011), from Pakistan. Their live rendition of this hymn is rich and complex, containing excerpts from poems written by diverse authors in different languages and time periods.
Gorakh Dhanda: The Puzzling Nature of God
“Tum Ik Gorakh Dhanda Ho” is a philosophically and spiritually rich poem that was written by Naz Khialvi (1947-2010), a Pakistani poet and radio broadcaster. It explores theological debates and paradoxes, such as the problem of evil, free will versus determinism, the validity of different religions, and selective divine intervention.
Bhar Do Jholi: A Beggar’s Supplication
“Bhar Do Jholi” is a popular qawwali most famously performed by the late Sabri Brothers, Ghulam Farid Sabri (1930-1994) and Maqbool Ahmed Sabri (1945-2011), from Pakistan. It was written by Purnam Allahabadi (1940-2009), a prolific Urdu poet whose real name was Mohammed Musa. “Bhar Do Jholi” appears in his book Phool Dekhe Na Gaye (I Could Not Look at Flowers), which was published in the 1960s or 1970s.
Balaghal ‘Ula Bikamaalihi: In Praise of the Prophet
“Balagh-al-’Ula Bi-Kamaalihi” is a popular qawwali most famously performed by the late Sabri Brothers, Ghulam Farid Sabri (1930-1994) and Maqbool Ahmed Sabri (1945-2011), from Pakistan. It is a multilingual na’at (a praise of the prophet Muhammad) that amalgamates poetry from across time periods and geographies, with at least four authors.
Mere Rashk-e Qamar: Envy of the Moon
“Mere Rashk-e Qamar” is an Urdu ghazal that was penned by the Pakistani poet Fana Buland Shehri (?-1986) and performed as a qawwali in the 1980s by Ustad Nusrat Fateh Ali Khan (1948-1997).
Zihaal-e Miskeen: A Bilingual Masterpiece
Attributed to the legendary Ameer Khusrau, “Zi-haal-e Miskeen” is a romantic ghazal that alternates between Farsi (Persian) and Braj Bhasha, a dialect of Hindi. Although its true authorship is unclear due to a lack of historical records, it is one of Khusrau’s most well-known poems, particularly because of its unique bilingual structure.